Contents

Preface 4

Preface to the first english editio 6

Introduction: China’s 20th-Century 10

Narrative

Chapter 1

the Influence of Western Civilization and the adjustment of traditional thinking 26

Background: Developments in the Late Ming and Subsequent Years 28

China Trade Painting 29

The Influence of Western Painter 30

Dianshi Studio Illustrated 33

Tushanwan and its Influenc 36

The Adjustment of Traditional Thought 41

Early Overseas Students during the Reforms 44

Chapter 2

the Shanghai School and its Painters 48

New Discoveries within the Tradition 50

Painting Societies and the Market 52

The Shanghai School 54

Ren Bonian, Wu Changshuo, and Wang Yiting 60

The Significance of the Shanghai School 66

Chapter 3

the fine arts revolution 68

Cai Yuanpei’s Thinking on Art 70

The Emergence of ‘Fine Arts’ 74

Chen Duxiu 77

Unfolding Ideas on Fine Arts 80

Chapter 4

the origins and Intellectual Background of Chinese-Style Painting

The Background of Chinese-Style Painting (Zhongguo-hua) 84

Fine Arts Historiography and Japanese Influenc 88

Traditionalists 89

Chen Shizeng 92

Background Intellectual Fashions 94

Chapter 5

National Painting and New National Painting 100

The Question of Tradition 102

Huang Binhong 102

Qi Baishi 107

Zhang Daqian 110

Other Traditionalist Painters 114

Traditionalist Thought, Politics, and Related Ideology 116

New Guohua Painting: The Lingnan School 123

Chapter 6

Modern fine arts Education 134

The Basic Background of Art Education 136

Schools 138

Associations 144

Chapter 7

realism and artists 148

The 1929 National Art Exhibition 150

Xu Beihong 152

Painters 156

Sculptors 160

Chapter 8

Modernist art, Intellectual trends, and Encounters 162

A Poet’s Perspective 164

Liu Haisu 164

Yan Wenliang 168

Modernist Painters 172

Painters Studying in Japan 173

Taiwanese Painters Studying in Japan 177

Pang Xunqin and the Storm Society 182

China Independent Art Association 188

Modern Artistic Ideas 190

Lin Fengmian 192

The Decline of Modernism 196

Chapter 9

Left-Wing fine arts 202

Groups, the Woodcut Study Society and the Left-Wing League of Artists 204

Lu Xun’s Work 214

Woodcut Groups 217

Chapter 10

the art of Yan’an and talks at the Yan’an forum on Literature and art 222

The Art of Yan’an 224

Talks at the Yan’an Forum on Literature and Art 244

Chapter 11

art in Kuomintang-ruled areas 256

Cartoons and Cartoonists 258

The Third Department and the New Woodcut Organizations 262

Disputes about National Forms and the Transition in Wartime 266

Painters and Sculptors 270

Painters in the Praxis of National Forms 273

Other Painters 279

Art of the Civil War Period 281

Chapter 12

art in the Period of Social recovery and Construction 292

The Fine Arts in the Process of Constructing a New System 294

The Fine Arts Movement of the Worker-Peasant-Soldier Masses 306

New Pictures for the New Year (New Nianhua), Picture Storybooks and Prints 308

Chapter 13

the transformation of Chinese-Style Painting and Guohua Painters 316

Crisis and Transformation in Chinese-Style Painting 318

The Path of Transformation 325

Fu Baoshi 335

Qian Songyan 339

Guan Shanyue 342

Li Keran 346

Shi Lu 347

Pan Tianshou 351

Next

目录